___________________________
I might’ve told him
Mark Saunders and ten others
made the Honor Roll
on national TV.
All of them Americans
under the age of twenty-seven.
The famous news anchorman said:
“In silence, here are eleven more.”
Like always I started counting
uniform pictures of proud soldiers
and wishing they were not dead.
You don’t expect to see somebody you know.
Then oh my god
there was Mark’s picture.
More like a crummy snapshot.
Him looking kind of high
leaning against the cockpit of a jet.
I had to stare at his hometown name
to believe it was him.
Mark never knew it
but I fell in love with him
after Junior Prom
after we dumped our chicks
after we didn’t get laid
after we jerked each other off
after we hooted it up
till sunrise
after we went for a mess of bacon at Denny’s.
That’s when I fell in love
with Mark Saunders.
I should have but
never got around to
telling him
he had amazing hands.
(c) 2006 the poet Spiel
From Spiel chapbook, 2006, come here cowboy: poems of war.

(c) 2004 spiel " bad boys"
A 2004 variation on an image originally commissioned as a silk screened Mardi Gras poster in 1992. That poster was signed by Taylor as"Tom Thom" another of his several pen names.
__________________________________________
deceit
we live
our lives
in mirrors
(confident)
our reflections
will not
bleed
(c) 2004 Spiel
Previously published by: Free Verse, Skidrow Penthouse,
King's Estate Anthology, Pudding House Publications,
Chiron Poetry Review. Also appears in: it breathes on its
own, the Spiel chapbook, available on the Spiel Books page.
________________________________________________

"jar"
(c) 2007 Spiel
An anguished self-portrait, the first full painting done by the artist after a long period of reticence as a painter which followed the 1996 revelation that he was soon to die from life-threatening illness.
___________________________________________
breaking rules
breaking rules robs energy
i do not have the will to spare
i make my own instead do so
not to appease your familiarity
but cast in light
to disrupt the core
of discomforts
we may share
for what we share in common
in our darkness:
the burdens of our closets,
is where we lift our care
(c) 2005 Spiel
From it breathes on its own
a chapbook by Spiel, published by Pudding House
also, previously published by Abbey
______________________________________________________________

"Everything will turn out O.K." 57"h x 68"w x 13"d
(c) 1987 Tom Taylor
from The Quintessential White Bread Exercise.
@ Pirate, A Contemporary Art Oasis, Denver Colorado
_______________________________________________________________
extension
no one dies
we all live on
miserably
beyond our time
the blessed curse
of unscrupulous medicine
and clinging loved ones
whose lives
are merely shadows
of our dreams
(c) 8/7/03 Spiel
From Chiron Review
____________________

"Grief" (c) 1999 Spiel
________________________________________________________________________________________
________________________________________________________________________________________
"Starry Night 1890/1990"
52" h x 36" w x 10" d
(c) 1990 Tom Taylor
Taylor's 100 year anniversary tribute to the suicide of Vincent van Gogh with whom Taylor shares the fate of mental illness. This turbulent piece is skillfully drawn with unpredictable expansion foam. It includes bared teeth in the stars, a bulging moon and a pistol in the visceral area where van Gogh originally painted dark and weathered cypress trees.
__________________________________________________________________________________________
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